Most B2B animation work is painfully boring. Slide decks with transitions slapped on and called "animation." UI screenshots stitched together with stock music. You know the type. That's not what we do.

We're
Springzo

, a 15-person content marketing agency based in Mumbai (fully remote).
We work with SaaS and B2B tech companies to create videos people want to watch, not content they tolerate because their boss dropped it in Slack

.

We need someone who can take complex product stories and turn them into 2D explainer videos, whiteboard animations, SaaS product walkthroughs, animated ad creatives, and sales videos that make technical concepts click instantly. The kind of work where a viewer watches a 45-second video about a multi-layered AI decision engine and walks away thinking, "Oh, I get it now." You're not decorating content. You're building the visual logic that makes it land.

We haven't missed a single payday in 130 months. The creative industry is notorious for payment delays, but for over a decade, we've ensured salaries land on the last day of every month. If that day is a holiday, you get paid early. It's clockwork. You will never have to wonder when your money is coming.

Quick Note About the Role:

• Role:

Motion Graphics Designer
- Experience:

1–5 years
- Location:

Remote
- Type:

Full-time, part-time, or contract
- Hiring Process:

Application → portfolio review → short practical assignment → one interview → offer. We move through this in under 7 days because nobody benefits from a three-month interview marathon.
- Salary:

The monthly compensation for this role is in the range of ₹45,000 – ₹80,000

. The final offer within this range will be determined based on the candidate's relevant experience and the results of the test assignment

What You'll Be Doing

Your core job is making B2B tech understandable and premium-looking through animation and motion design.

• Creating 2D animated explainer videos end-to-end: scripting support, storyboarding, character/asset design, animation, and final delivery. You'll take abstract product features and give them a visual language that makes people go "now I get it."
• Building whiteboard animation videos that break down complex ideas into simple, engaging narratives. Clean line work, good pacing, the kind where viewers don't skip ahead.
• Designing SaaS product walkthrough and demo videos: polished UI animations, device mockups, browser frame presentations, smooth screen transitions, and typography that's legible in 2 seconds flat. Sometimes you'll work with real product footage and screen recordings; other times you'll mock up interfaces from scratch because the product doesn't exist yet, the screenshots aren't good enough, or the client needs a cinematic product preview for a launch or landing page.
• Creating motion graphics elements: lower thirds, data visualizations, kinetic typography, animated infographics for both long-form and short-form content.
• Syncing animation beats with voiceover narration so the pacing feels deliberate, not random.
• Producing sales and promo videos that blend animation styles (2D characters, icon animation, screen recordings with motion overlays) depending on what the brief calls for.
• Creating animated ad creatives for paid campaigns: short, punchy motion ads for LinkedIn, Meta, YouTube pre-rolls, and display. These need to grab attention in the first second and communicate value in under 15. Different beast from explainers, and you should enjoy the constraint.
• Repurposing longer animations into platform-specific cuts for YouTube, Instagram, LinkedIn, and wherever else they need to live.

Some weeks you'll be deep in a 2-minute 2D explainer for a fintech product. Other weeks you're creating a whiteboard animation for an edtech company, building a slick product demo for a cybersecurity client, or cranking out a batch of animated ad creatives for a paid campaign. The variety keeps things from getting stale.

AI Tools: We Want Someone Who's Already Using Them

This is worth calling out separately. The animation landscape is shifting fast, and we want someone who's leaning into it, not resisting it.

If you're already experimenting with tools like Runway, Kling, Pika, Viggle, HeyGen, or any other AI-assisted animation and video tools, that's a strong signal. We're not looking for someone who relies on AI to do the creative thinking. We want someone who uses these tools to move faster, prototype ideas quickly, generate assets that would've taken hours manually, and push creative boundaries that traditional workflows make impractical.

You should have strong fundamentals in traditional motion design (After Effects, Illustrator, Premiere Pro) AND be curious enough to integrate AI tools into your process where they make sense. If you've built a workflow that combines both, we want to hear about it.

You're Probably Our Person If You:

• Have 1–5 years of motion graphics and animation experience with a portfolio that shows range across styles (2D explainers, whiteboard animation, product walkthroughs, animated ads, not just logo reveals and title cards).
• Know After Effects inside out. Premiere Pro and Illustrator are part of your daily workflow too.
• Can storyboard a concept before jumping into animation. You think about story structure and visual narrative, not just keyframes.
• Have created 2D explainer videos, whiteboard animations, SaaS product walkthroughs, or product demo/preview videos before. This is core to the role, not a "nice-to-have."
• Can design and illustrate characters, icons, backgrounds, and UI elements when the project calls for it. You don't need to be a full-time illustrator, but you should be comfortable creating visual assets from scratch.
• Understand timing, easing, and movement well enough that your animations feel intentional, not jittery or mechanical.
• Are comfortable with AI animation and video tools, and can talk about how you've used them in real projects (or personal experiments). Bonus if you've built workflows that blend traditional and AI-powered approaches.
• Work independently without someone checking in every hour, but communicate proactively when you hit a wall or need clarity.
• Care about the details. The spacing between elements, the easing on a transition, the way text enters a frame, the consistency of line weight in a whiteboard video. These things matter to you.

Beyond the pay:

• Fully remote. Work from wherever you have stable internet.
• Flexible arrangements: full-time, part-time, or project-based contract. Whatever fits your life.
• Creative freedom backed by structured feedback. You won't get vague notes like "make it pop" or "add more energy." Our review process gives you specific, actionable direction so you're not guessing what we want.
• Portfolio-worthy work across dozens of B2B brands globally. The kind of projects that open doors and make your next opportunity a conversation, not an audition.
• No unnecessary meetings. Communication stays async whenever possible. When we do meet, it's short and useful.
• Room to grow into bigger roles. You'll learn how video content drives real marketing results for SaaS companies, and you'll get exposed to the full content marketing engine, not just the animation silo. This role can grow into a Creative Director path for the right person.

How to Apply

https://ok.springzo.com/form-motion-graphics-designer

We review applications daily. If your portfolio shows the kind of work we're looking for, you'll hear from us within 48 hours.